A hitman for the Sicilian Mafia, Salvo is solitary, cold and ruthless. When he sneaks into a house to eliminate a man, he discovers Rita, a young blind girl who powerlessly stands by while her brother is assassinated. Salvo tries to close those disturbing eyes, staring at him yet unseeing. Something impossible happens. Rita’s eyes see for the first time. Salvo decides to spare her life. From then on, these two beings, both haunted by the world they belong to, are linked together forever.
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Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child’s life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport he needs to get out of the country, but a band of replacement killers is soon on his trail.
When a U.S. congressman’s daughter passing through a small town in Mississippi dies in a mysterious triple homicide, a team of F.B.I. agents descends to investigate, the team’s brilliant but jaded lead agent battling demons both past and present, as his beautiful, tough-as-nails partner tries to hold him and the case together. They find a struggling and corrupt sheriff’s department, a shadowy and much-feared figure, who seems to be pulling all of the town’s strings from his mansion on the edge of town and a local victim with a strange connection to a number of the town’s most prominent figures.
Oh, Ramona! seeks the transformation of Andrew from a teenager into an adult who lives candidly and selflessly his first love story, innocent and uninvolved, alternating with the second, intense and insane story, incapable of making a choice. Oh, Ramona! is the cinematic rewriting of Andrei Ciobanu’s book “Suge-o, Ramona!”.
Annabel is a successful businesswoman with a wealthy husband. At a reception in her villa she meets a woman, a member of the catering staff who has been hired for the evening. This woman is none other than her own daughter Chiara, whom she had left over thirty years ago. Chiara was just eight years old at the time. She now approaches her mother with an unusual request: to spend ten days together with her.
Topper is once again tormented by a fun-loving spirit. This time, it’s Gail Richards, who was accidentally murdered while vacationing at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper’s help, Gail sets out to find her killer with the expected zany results.
Daisy Kenyon (Crawford) is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer named Dan O’Mara (Andrews). O’Mara is married and has children. Daisy meets a single man, a war veteran named Peter Lapham (Fonda), and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.
When Jade, a web-cam girl, visits Takeko’s tattoo studio she becomes entranced with the image of the spider lily and with Takeko as well. In order to get closer to the object of her desire, Jade asks Takeko to give her the same lily tattoo, challenging Takeko’s monastic existence and opening up memories which threaten to tear the two women apart.
A powerful and emotional coming of age story, this remarkable tale is told with honesty and originality that will leave audiences moved. In the film, two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love. Directed by Gus Van Sant, one of the most astute observers of people living life on the edge, comes a take on friendship and young love as engaging and true as it is provocative and stirring.
When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn’t play by the rules of either the sadistic warden or the yard’s resident heavy, Dragline, who ends up admiring the new guy’s unbreakable will. Luke’s bravado, even in the face of repeated stints in the prison’s dreaded solitary confinement cell, “the box,” make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.