A story of friendship and romance set against the backdrop of campus life, Jugni Yaaran Di follows two close buddies whose friendship is put to test when a girl comes between them.
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Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert Moreau is one of the artists whose sculptures are on display in the gallery. His wife, Josée, is intrigued by the stern Stanislas, who devotes his free time to photography in an apartment that highlights his sophisticated artistic tastes. But besides enlarged pictures of calligraphic samples, Stanislas is amassing a collection of photographs that reveal a disturbed character. So why would Josée endanger her mature relationship with Gilbert for the morbid observation of Stanislas’s hidden personality?
In a utopian society created at the end of the third world war, a female warrior who has been plucked from the badlands begins to see cracks in this new facade. And what does this community have planned for the rest of humankind?
Angela (Shannon Elizabeth) is throwing a decadent Halloween party at New Orleans’ infamous Broussard Mansion. But after the police break up the festivities, Maddie (Monica Keena) and a few friends stay behind. Trapped inside the locked mansion gates, the remaining guests uncover a horrifying secret and soon fall victim to seven vicious, blood-thirsty demons.
Toji Seryo is a popular first year high school student. It’s well known that Toji Seryo will date anyone that confesses their affection for him on a Monday, but he will break up with that person by Sunday. Yuzuru Shino is a third year student at the same high school. He looks pretty, but all of his former girlfriends end up dumping him. Yuzuru Shino becomes curious about Toji Seryo. On a whim, half serious & half joking, Yuzuru Shino asks Toji Seryo to date.
The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika’s attentions and she then moves in with him. They might live happily ever after but first they have to cope with Kika’s affair with Nicolas, the suspicious death of Ramon’s mother and the intrusive gaze of tabloid-TV star and Ramon’s ex-psychologist Andrea Scarface.
In Ireland, American lawyer Ingrid Jessner and her activist partner, Paul Sullivan, struggle to uncover atrocities committed by the British government against the Northern Irish during the “Troubles.” But when Sullivan is assassinated in the streets, Jessner teams up with Peter Kerrigan, a British investigator acting against the will of his own government, and struggles to uncover a conspiracy that may even implicate one of Kerrigan’s colleagues.
A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters (the Tibetan Lamas) who were killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates competing in the tournament: a Thai boxer, a yoga master, and a kobojutsu user.
After his father’s death, high school lacrosse star Conor Sullivan becomes self-destructive but through a new love interest and his passion for this sport, Conor discovers the warrior within himself.